AUSTIN, Texas (AP) — The University of Texas’ long-awaited report on “The Eyes of Texas” has found that the school song has “no racist intent,” but the school president said athletes and band members will not be required to sing or participate when the song is played at games and campus events.
The 58-page report, released Tuesday, was commissioned last year by school President Jay Hartzell after a group of Texas athletes, most notably football players, demanded the school drop the song as part of racial injustice protests.
The issue erupted into a tempest of fan outrage when football players chose to leave the field instead of taking part in the traditional sing-along with fans after several games. Some fans sent emails to Hartzell warning the school would lose financial donors.
A 24-person panel charged with studying the song’s origins, lyrics and history determined it was rooted in a message of accountability and striving toward excellence.
“These historical facts add complexity and richness to the story of a song that debuted in a racist setting, exceedingly common for the time, but, as the preponderance of research showed, had no racist intent,” the report states in its executive summary. “‘The Eyes of Texas’” should not only unite us, but hold all of us accountable to our institution’s core values.”
Written in 1903 and sung to the tune the tune of “I’ve Been Working on the Railroad,” the song is an old standard in Longhorns country. For decades, it has been sung after games and graduation ceremonies and is a popular sing-along at weddings and even funerals
It has also been a sore subject for decades for some minority students. The title was taken from a favored saying of a former school president who had reportedly mimicked remarks by Confederate Gen. Robert E. Lee. The song was routinely performed by musicians in blackface at minstrel shows.
The panel was not charged with making a decision on the song’s future. Hartzell, with the strong backing of the school’s Board of Regents, had already decided the song would stay. In a interview prior it the study’s release, Hartzell insisted that did not undermine the report’s credibility.
Hartzell reiterated the song will continue to played at games and events.
“This report gives us a common set of facts for more conversations,” Hartzell said. “It’s possible the committee could have uncovered something that could have caused us to reconsider. It did not.”
One of the few issues still to be determined was campus participation, particularly among Longhorns athletes. New football coach Steve Sarkisian has previously said his team will sing the song “proudly” after games per tradition.
The report included a recommendation that students not be required to sing the song.
“Nobody has been, or will be, required to sing the song,” Hartzell said. “That’s going to be going forward the way we continue to operate. We hope that as people go through the report, read through the facts, they’ll find ways to participate in some way. Whether it’s the case of the athletes standíng on the field, or the fans in the stands as we sing, there’s going to be no punishment, no mandate, no requirement if people choose not to participate.”
Hartzell said he planned to meet Tuesday with the the football team and other athletes.
“They started this, they should get to hear about the report first,” Hartzell said. “I hope we’ll get more to a point of mutual respect where if you choose to sing and I don’t, we don’t necessarily judge something about each other in a stark way.”
The panel that studied the song was comprised of campus professors, staff and historians and representatives of student and band alumni groups. It also had one current athlete, band member and cheerleader. Key findings include:
— Researchers said they could find no direct link between the signature line “the eyes of Texas are upon you” and anything Lee would say to his students at Washington and Lee University, where he was president after the Civil War. The panel determined there is a “very low likelihood” the line originated with Lee.
— The song borrows the melody of “I’ve Been Working on the Railroad,” a song with racist lyrics, most likely because it was already well known and easy to sing.
— Performances at campus minstrel shows with actors in blackface, which continued into the 1960s, are a “painful reality,” but the song not appear to have been composed as a minstrel tune.
— The panel’s 40 recommendations include teaching the song’s history at student orientation events, and allowing new alternative versions composed or performed by Black musicians.
“The report does not have a vindication or a smoking gun,” said panel chairman Richard Reddick, associate dean for equity, community engagement and outreach in the college of education. “Reading the report will help us reflect on what it means to be a university found in the post-bellum era in the Jim Crow south, and to have parts of our history in that moment, and what it means to evolve over time.”
